NURturing deSirE
The Long Letdown book cover: a low rush chair by a lit window at dusk

A NURturing deSirE Novel

The Long Letdown

By Frank Gray

Things should go where they were used.

Mara Lindgren spent eleven years teaching other people to breathe. She climbs the stairs above the dry cleaner’s on Alder Street for her ribs. That is the official reason.

Eli Marsh used to listen to people for a living, until the winter he stopped being able to hear. Now he listens with his hands, in a quiet room with a low rush chair by the window that nobody sits in.

What grows between them is slow, asked for, and impossible to call treatment, and it will cost them both. The Long Letdown is a love story told after dark: about care and consent, the paperwork of being careful, and the body’s oldest way of letting go.

It is never the first time.

For adult readers.

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Chapter 1, The Body Forgets, in your inbox.

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From the Book · The opening

Part IWhat We Carry

I was not in the room. I want to say that first. What follows is what I was told, and what I imagined, and the places where the two met.

She came for her ribs. That is the official reason, and I have decided to honor it.

The body keeps the oldest accounts. It does not argue them. It tightens, and it waits for someone patient enough to read them without correcting a word.

From the Book · The complete first chapter

Chapter 1The Body Forgets

Miss Roe. Day 2. Frightened. Sat with her an hour. No instruction given.

Ledger of D. Quist, 1962

Jess’s voice message was eleven seconds long, and Mara had listened to it four times.

“He’s different. You’ll get it when you go.” A pause, a clatter, someone laughing in the background. “Don’t overthink it. I know you. Go.”

She had been to a dozen practitioners by then. Two physical therapists, a chiropractor who cracked her neck like a knuckle and sent her home with a bill, an acupuncturist who talked about the weather the whole hour, a woman in a converted garage who held a crystal over her sacrum and told her she was carrying toxins. Mara had been hearing about toxins for eleven years, in studios and at retreats, and had yet to meet anyone who could name one. Everyone gave her homework. Stretches, a foam roller, a supplement that smelled of fish. Nothing changed the ache beneath her left ribs, which sat there like a stone that had been swallowed and refused to pass.

So she drove to Alder Street on a gray Thursday at the end of February, ten minutes early, and parked across from the dry cleaner’s with the engine off.

The clinic was upstairs. She could see the window from the car, a rectangle of blinds with one slat bent. She sat with her hands on the wheel and breathed the way she used to teach, in for four, out for six, and noticed that the breath stopped at her collarbones and went no further.

Eleven years of teaching yoga, and her own lungs would not take instruction.

She locked the car, then unlocked it, then locked it again.


The waiting room was a bench and a rubber plant. The woman at the desk was small and quick, with reading glasses pushed up into gray-streaked hair and a name tag that said ASHA.

“Mara Lindgren? Four-thirty. He’s running a few minutes behind.” She slid a clipboard across the counter. “Intake’s the usual. Medications, history, where it hurts.”

Mara took it to the bench. Under Where does it hurt? there was a drawing of a body, front and back, faceless, with room to shade. She shaded her ribs on the left, her neck, both shoulders. She looked at the page for a while and then shaded the whole torso, which was closer to the truth, and which made the drawing look as if it had been in a fire.

Under Describe the onset she wrote: Gradual. Years. Under Prior treatment she wrote See attached, and attached nothing.

The door at the end of the hall opened, and a man stepped out holding a mug.

He was tall, a little stooped at the shoulders in the way of tall people who have spent years leaning toward others. Dark blond hair going silver at the temples, overdue for a cut. A button-down with the sleeves rolled, forearms brown from some other season. On his left wrist, a leather bracelet worn so soft it looked like part of him.

“Mara?”

“Yes.”

“Eli.” He didn’t offer his hand, and she noticed that, and was grateful without knowing why. “Come on back. Bring the clipboard, or don’t. I’ll read it later.”


The room was not what she expected.

She had braced for soothing: the pan flutes, the lavender, the little fountain. This was a room that had been left alone. Pale walls, a scuffed wood floor, a shelf along one wall with folded blankets and a chipped mug and a plant that was either dying or only tired. A ceiling fan turned slowly overhead and moved the blinds, so that stripes of light slid across the far wall and back. In the corner by the window stood a wooden chair with a rush seat. Nobody had put anything on it.

“Whose chair?” she said.

“It came with the room.” He set his mug on the shelf. “The landlord says the last tenant was a seamstress. I never moved it.”

“It’s in the way.”

“Yes,” he said, and that was all.

She waited for the speech. In her experience there was always a speech: so, tell me about your pain, on a scale of one to ten. He leaned against the table instead, arms loose, and looked at her the way a person looks at weather coming in over a field.

“Before we start,” he said. “One question. You don’t have to answer it. You can tell me it’s none of my business.”

“All right.”

“When did your body first feel too full?”

She stared at him.

She had been asked about posture by experts. She had been handed forms on which to circle the words for her pain, aching, burning, stabbing, dull. There was no box on any form for this one, and she felt her pulse tick up behind the breastbone.

“I think that’s the kind of thing a therapist asks.”

“I used to be one.”

“I came for my ribs.”

“Then we’ll start with your ribs.” He said it easily. There was no disappointment in it, and no triumph either. “Shoes off, if you like. Knees up on the bolster. I’ll tell you before I touch anything.”


She lay on the table and he placed a blanket over her legs and did not tell her to relax. She noted that too. Everyone told her to relax, in the voice you use on a horse.

Then his hand, under the flare of her ribcage, on the left.

She didn’t speak when he touched her ribs. She breathed, shallower at first, as if the air had to negotiate its way through old scaffolding. Her chest rose unevenly. The left side caught. He noticed, and kept still. His hand stayed, warm and steady.

Other hands had come with heat, or purpose, or pity, and had wanted something back for it: a sigh, a release, a better number on the pain scale. His didn’t seem to want anything.

His other hand rested behind her shoulder blade. It was only there.

That was worse.

Stillness she could fight. She had been fighting it for years, in savasana, on retreats, in the long hours of the night. But attention without action made her body panic. Every muscle she owned wanted to know what he intended, and he intended nothing, and the not-knowing climbed her spine like a hand.

She closed her eyes, to hide, from him and from whatever part of her had just moved.

There was a flicker under her sternum, a pulse, like a nerve testing the air. Her jaw tightened. She tried to remember what this was supposed to be. Myofascial release. A nervous-system reset. Whatever Jess had meant.

“You’re doing fine,” he said, very low.

“I’m not doing anything.”

“That’s what I meant.”

She almost laughed, and the almost-laugh caught on her left ribs and changed, and she lay there with her eyes shut and her throat working and thought, I will not cry on a stranger’s table over a sentence.

She didn’t. But she thought about it.


Her hip shifted on the leather. A small movement, out of caution, and her thigh brushed the edge of his forearm.

She went still.

It was nothing, an accident of an inch, and heat came up into her chest anyway. She knew exactly where her body ended and his began.

She tugged at her shirt. Under the cotton her nipple tightened, and she hated her body for answering, after all the years she had spent teaching it not to.

He didn’t move. His hand stayed where it was.

A strange ache rose in her chest, and under it, worse, a question she did not want to ask.

What if this isn’t nothing?

She could feel her spine against the table, the whole length of it, the way you know a road once you have walked it.

She breathed in. The inhale stopped short of her belly, but it went farther than it had in months.

That was the part she could not stand.

A twitch ran down her right calf. Her jaw clicked. Her body began to call itself back together, the way a flock does when a shadow has passed overhead, and she knew only that it was time.

He lifted his hand, slowly, and she felt it go.


She opened her eyes. Same ceiling, same fan, same crooked blanket on the shelf. The plant drooped. Everything ordinary and unchanged, and yet the shadows on the floor looked sharper now, the light a degree colder.

She did not feel healed. She felt like a drawer had been opened without her permission.

He had stepped to her side. She hadn’t heard his feet.

“All right?” he asked.

His voice didn’t reach for her. It made room for an answer.

“Yes.”

It came out too fast and too thin. He didn’t comment. He stood with his hands at his sides, available, and she sat up slowly while her body argued the motion in a dozen small places. Her neck cracked. Her lower back pulsed. Her hip pinched. All of it familiar, all of it hers, and now, for the first time, she felt herself inside it.

She tied her shoes too fast.

At the door she turned. “Same time next week?”

“If you want.”

“That isn’t an answer.”

“I’d like it,” he said. “But it’s yours to say.”

She nodded. At the desk Asha looked up over her glasses, took the payment, printed a card with a time on it, and said nothing, with a kind of attention that Mara would think about later and not understand.


In the car she sat for a long time before turning the key.

The window of the clinic was still a rectangle of blinds with one slat bent. A light came on behind it. She watched a shadow cross the room, lift a mug from the shelf, set it down.

She tried to remember what had happened. Where he had touched, and for how long. Why her eyes had stung in a room where nothing had been said. It had been an hour and she could not account for it. She could account for the fan and the chair and the chipped mug. She could not account for herself.

She wanted to cry. She opened the glove box for a tissue and found the fish-oil capsules from two practitioners ago, and shut it again.

She drove home dry-eyed, with her chest tight and her breath shallow, past the river, past the lot where the farmers’ market would set up in May, and she was most of the way home before she understood what was different.

She knew she was holding it.

And that made everything worse.

What’s Inside

Twenty-six chapters in four parts, told by someone who was not in the room.

Part I

What We Carry

The body keeps the oldest accounts. It does not argue them.

Part II

What We Offer

Stay. Wait. Hold. Listen. They look like nothing.

Part III

What We Risk

People talk about leaving as if it were a decision. In my experience it is closer to weather.

Part IV

What We Become

The stories end at the doorstep, with the kiss or the letter or the rain. I have always thought the doorstep was the easy part.

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